CREATOR TOOLS · FCP ACADEMY
10 film-inspired looks, each with a Standard and a LOG version: teal & orange and more, instantly usable in any major editing software.
Every look comes as two .cube files: one for standard picture profiles and one for flat/LOG footage. Whatever you shoot, the look works.
Each LUT is built around the teal & orange complementary color scheme, plus warm, earthy, and high-contrast film styles.
Drop-and-go compatible with Final Cut Pro, Premiere Pro, DaVinci Resolve, and any software that accepts .cube files.
WHAT'S INCLUDED
One-time purchase · No subscription · Instant download
Instant download after purchase. Files yours forever.
THE LOOKS
Every LUT comes in both a standard and LOG version. Same look, optimised for your camera profile.
VOL. 1: TEAL & ORANGE SERIES
The most neutral LUT in the pack. High contrast with teal and green subtly in the shadows. Great for a natural but stylized look.
High contrast with faded blacks, desaturated greens, and a peachy orange. A subtle teal-and-orange look with a lot of character.
Vibrant teal and orange with brighter, more saturated oranges. Keeps blue hues color-accurate, fantastic for sunrise and sunset footage.
Increased contrast with muted oranges and accentuated blue/teal. Great when you have lots of orange in the shot and want blues to pop.
Full-on teal and orange, no holding back. The most complementary color scheme in the pack, similar to the grade filmmaker Sam Kolder uses.
VOL. 2: FILM & EARTHY SERIES
An earthy look with warm tones in the shadows, decent contrast, and slightly lifted blacks. A solid choice for golden-hour footage.
Vibrant yellows and blues with increased color vibrancy. Pushes warmth without adding too much contrast. Perfect for tropical footage.
Dark greens, vibrant oranges, and an overall rich look. Dylan's personal favorite. Similar in style to the grades in his travel films.
High contrast, darker greens and blues, and lively yellows for a punchy cinematic film look that commands attention.
Keeps skin tones looking great with a bit of blue and green in the shadows. A neutral cool look that makes commercial work shine.
SEE THE DIFFERENCE
The same footage: ungraded LOG vs. with only a Filmic LUT applied (no additional corrections).
WHAT EDITORS ARE SAYING
"This LUT pack is my favorite. I have hundreds of LUTs now, and honestly I end up using these way more than any of my other ones. One of the best buys I've made in my videography journey."
"I've purchased quite a few LUT packs, however I've NEVER found ones that fit my footage so well and look so good as these. Incredible job with these, Dylan!"
"On top of being the best (and funniest) YouTube teacher on Final Cut Pro, Dylan John makes amazing LUTs. So happy I bought them. I know anything he makes will be top quality."
"These LUTs are amazing, to say the least. High contrast, with versatile looks from standard to LOG. They spruce up my videos with just the click of a button."
"Loving these LUTs! I bought both sets as they're so reasonably priced and they look really good! They've made the colour grading process a lot easier and less stressful!"
"I've gotten a few different LUT packs in the past but they never worked on any of my footage! These on the other hand are so easy to work with and actually give you what you paid for! Worth every penny!"
"These LUTs are so dope!! Super clean yet stylized, and each has its own unique characteristics. It makes color grading so much easier, from music videos to commercials to documentaries."
"Both of these LUT packs are amazing! I wondered what they would look like with a Cine4 profile from my Sony A7III and they look phenomenal! Great job Dylan!"
"They are INSANE! I've been searching for really solid, reliable LUTs for a long time and I finally found what I was looking for. They worked amazing on all types of footage I tried."
COMPATIBILITY
These LUTs work with any camera and any software that accepts .cube files.
No specific camera required. LUTs work for any standard footage, and the LOG versions are designed for flat/LOG profiles.
FAQ
MAKE EDITING EASIER
Stop spending hours trying to nail a color grade. Drop a LUT, tweak the intensity, and ship.